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"Gideon’s Chariots": The Memory of a Crime Repeats in a New Assault on Gaza

Despite the destruction, Palestinians cling to their rights, raise their voices, document the occupation’s crimes, and build their narrative against all efforts at erasure.

(Right) A terrified girl flees through smoke and flames after an Israeli airstrike hit the Fahmi Al-Jarjawi School, a designated shelter for displaced families in Gaza City's Al-Daraj neighborhood on the morning of May 26, 2025.

The Israeli occupation army has named its latest military assault on the Gaza Strip "Gideon’s Chariots"—a move laden with deep historical and political implications. It exposes a colonial mindset that remains trapped in the framework of the Nakba, even after more than seven decades. This name is not new in Israel's bloody record; it’s a recycled alias from a crime committed in 1948, when the Palestinian inhabitants of the city of Beisan were forcibly displaced as part of a wide-scale campaign of ethnic cleansing that constituted the essence of the Palestinian Nakba and laid the foundation for the creation of the occupation state atop the ruins of depopulated Palestinian towns and cities.Reusing this name at this specific moment, and with Gaza as the target, sends a clear message: the Zionist project still sees force as its primary tool for imposing reality, and it does not hesitate to summon the symbols of past atrocities to justify its continued aggression today. The naming of this operation cannot be dismissed as merely symbolic or logistical—it is a deliberate act that links past to present, seeking to lend a false “historical” legitimacy to a continuous assault on an unarmed people who have lived under siege, bombardment, and starvation for over fifteen years.


While civilians in Gaza are subjected to intense airstrikes targeting homes, mosques, medical centers, schools, and all forms of civilian infrastructure, the Israeli army is recycling terminology from the archives of the Nakba—as though killing and destroying Palestinians is not a crime, but rather a continuation of an unfinished master plan. "Gideon’s Chariots" is not just a name; it is a title for a colonial policy that regards Palestinian land as an incomplete project, seeing every act of aggression as an opportunity to eliminate what remains of resistance and to crush the collective Palestinian spirit that refuses to accept death in silence.


The painful irony is that this aggression is unfolding while the world once again stands by as a spectator. The international community, which has long ignored the violations of the occupation, now contents itself with timid condemnations—if any—while Israel is granted full impunity to commit its aggression under the guise of “self-defense.” But the facts on the ground reveal the truth: the first and last victim is the Palestinian people, and the perpetrator is the same force that used violence to expel the people of Beisan, Jaffa, and Haifa more than seventy years ago. History is repeating itself in a brutal fashion—but this time, it is documented in sound and image, visible to the whole world, which chooses to cover its ears and shut its eyes.


Today in Gaza, it is not only the resistance that is under attack—but the very concept of life. Homes are leveled to the ground with their inhabitants inside, roads turn into mass graves, hospitals overflow with martyrs and the wounded, and children are born under the bombs, knowing childhood only through the fantasies of stories. In this grim scene, Palestinians are once again redefining the meaning of steadfastness, affirming that memory is stronger than displacement, and that remaining on the land—despite the siege—is an act of resistance as vital as any battle fought with weapons.


"Gideon’s Chariots" may carry military meaning for the Israeli army, but for Palestinians, it signifies the continuation of a crime. It confirms that the Nakba was not a passing moment in history, but an ongoing trajectory that demands awareness and resistance. Despite the destruction, Palestinians cling to their rights, raise their voices, document the occupation’s crimes, and build their narrative against all efforts at erasure. Just as Beisan was never forgotten, neither will Gaza be. Just as the people of Galilee, Lydda, and Ramla resisted, so too do Gaza, the West Bank, Jerusalem, and the diaspora resist today—united in destiny, undivided by distances or barbed wire.


Israel may think that by repeating the names of its operations, it can control the narrative. But history is not written only from the podiums of generals—it is written also among the rubble of homes, in the cries of mothers, and in the eyes of children born to the sound of bombs, yet who refuse to live as eternal victims. The name Israel chose for its assault will never confer legitimacy; rather, it will stand as one more piece of evidence of the racism of a project still feeding on Palestinian blood and sustained by global silence.
In the end, no name can alter the truth: there is a living people, fighting for their freedom, refusing to be just another casualty in the archives of power. And no matter how arrogant the occupation becomes, the Palestinian people's consciousness, deep-rooted identity, and just cause will remain stronger than all of Gideon’s chariots.

(Mustafa Balqis is a leader of DFLP Palestine)

At least 16,500 Palestinian children have been killed in Gaza by Israeli forces since October 2023. Many were crushed beneath the rubble of their homes, schools, and shelters targeted in relentless airstrikes. Countless bodies remain unretrieved, buried under debris in areas made inaccessible by continuous bombing and siege.

This genocidal assault has also left over 3,000 children amputated, many undergoing surgery without anaesthesia. Gaza now holds the grim distinction of having the highest number of child amputees per capita in the world.

Amid Israel’s total blockade of humanitarian aid, at least 29 children have died from starvation, while over 70,000 children under five are suffering from acute malnutrition, their lives hanging by a thread.

Published on 28 May, 2025